So it’s been a while since I brought a newer artist to 3GW readers. I was put on to this lyricist (better known as Logic) by my older brother (what up Jerrell?!) and was pleasantly surprised by his delivery, ability to paint a vivid picture with his lyrics, and change of style and pace on different songs. It wasn’t until much later that I found out that he was from Gaithersburg, MD (what up DMV?!) and was ‘white’. Now this isn’t important to me, as much as it might be to some others, because I believe if you have talent to do something and do it far better than others then you should be celebrated. That’s right celebrated and not criticized because you don’t look like the majority of those within that given field.
I later found out that he is actually mixed, despite what he may appear to be, and had an upbringing typical of what many rappers usually recall from their childhoods. Logic grew up with a white mother who battled prostitution and addiction while his black father was addicted to drugs and even scored crack from Logic’s brothers. If that ain’t life experience to be a rapper, then I don’t know what is.
This brings me to the track Under Pressure,which is featured on his album of the same name as the track’s title;let’s just begin with the word DAMN!? Production is on point from the moment you press play, and Logic jumps on the track to begin hitting the listener with a constant barrage of lyrical hay makers. I definitely cosign to the words of the chorus coming with my background of grinding to outwork all others trying to get it like me. So when he first uttered “Work so f*cking much my greatest fear is I’mma die alone………….Every diamond in my chain, yeah that’s a milestone!”, I was practically sold and it became one of my favorite tracks of his.
Yet, the part that was most surprising to this listener, and likely most others, was what came through the speakers around the 3 minute and 50 second mark. The change of production and change of lyrical presentation that came together fits perfectly; so perfectly that it reminds me of….well….other things that fit perfectly together. Things like, peanut butter and jelly; Kool-Aid and sugar; beaches and adult beverages; a freshly washed car and a full tank of gas. You get the idea where I’m going with this? No, well my point is that he did the damn thing even when the beat changed completely and didn’t miss a single beat at delivering greatness. He continues to lay down a masterful story of who he is in a poetic way, giving the listener a glimpse into where he comes from and how he deals with his pain and his truths.
The full version (featured below) is about 9 minutes of consistent, varied hip hop. I dare you to find another like it that’s on the same level. Consequently, someone like me who seems to always be “working so f*cking much” truly can relate to this track and will forever have it cued up as a reminder of the struggle and the diamonds that are now my very own milestones. Thanks for reading and stopping by 3GW.
As many people know I’m a fan of Talib Kweli‘s music. It is true hip hop in my opinion and very seldom will it ever be commercial. This song is no different as it will never be as popular as songs speaking about wanting big booty hoes as birthday gifts or being happy as long as his bitches love him (currently SMH at what hip hop has become in some circles). Yet, it will definitely be something that I know I could spin on my turntables and give most women out there a feeling of pride from a man speaking to them like the queens they are. It is rare in this day and time that you can find hip hop talking about women in a positive and respectful sense. On Come Here, it is quite evident from the beginning that this MC is paying the woman compliment after compliment, and I will celebrate this notion over misogyny and blatant sexism any day. Throw in some Miguel and I believe you have an even better hit.
Now some people will say I may be giving it more praise than it deserves, and to that I say possibly they are right. Yet, if I ask you to name me 5 hip hop songs about women that are degrading and overly sexual, and at the same time name me 3 songs from the same genre that are respectful and complimentary I’m more than sure the 5 songs will come well before the 3. Not to mention the lyrics of the 3 are usually far from the simple utterances and, if not listened to closely, will pass by faster than a 100 meter dash at the Olympics. I won’t even start about the innuendos that come repeatedly during the verses…pure poetry. Bottom line, I like the overall song and its message being a flattering one towards women. Take a listen below and let me know if you agree.
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It’s been quite some time since our last post at 3GW. Blame it on a very busy work schedule for the past few months. Once things die down, we will be back to doing some regular posting so please don’t forget about us.
In the meantime, and to keep my sanity amongst all the work that surrounds me on a daily basis lately, I decided to lay down some hotness for those that are a fan of the mixing of the one and only DJ Supreme Soul.Here is some music that comes mostly from my home state, specifically 2 cities I’ve had the pleasure of residing in for some years. Baton Rouge aka “The 225” and New Orleans aka “The 504”. Featuring some classic southern Louisiana hip hop from these respective cities, this mix will definitely take you back a decade or two if you’ve had the pleasure of hearing them before. If not, sit back and enjoy the gift of hip hop from “The Boot”. After all, we are known for our southern hospitality down here.
I’ll make this post brief since the content of these mixes are pretty straightforward. Here are all 3 versions of my Food 4 Soulmixes. I’ve been told by those that have listened to them that they each have something unique, but all are packed with music that puts the soul where it needs to be. Take a listen and if you happen to enjoy please let us know and pass them on to others who might enjoy them as well. Thanks.
Seeing that Kendrick Lamar lit a fire under many different artists after dropping his verse on Big Sean‘s Control, I figured I would also do some work on the 1s and 2s. The question then became what to lay down for the masses to hear. I ended up thinking about some of the tracks from Kendrick’s Good Kid M.A.A.D. City album and got to wondering if some of them would match well with Jay-Z‘s Magna Carta Holy Grail tracks. Low and behold, they were damn near a perfect match. So at that point, it was up to me to bring them into synergy, and I proceeded to make this mix that will grace your ears shortly. It features music that definitely personifies what hip hop can and should be, and makes for easy listening when done well. So enough talking. Check out the mix and enjoy. Feedback is always welcomed and thanks for stopping by 3GW.
Just caught wind of this track from a friend’s recommendation. Sounds like Eminem is back at his high standard of endless lyricism, and it is a much welcomed track after a 3 year hiatus. Survival is set to be a part of Marshall’s next album. Now when that album is released, who knows. But until then take a listen to the track below.